daily dispatch

Saying no.

There have been two opportunities that, at this time last year, I said: Tara, you're doing this in 2020. 

One is a local performance festival called Hear Here, where I'd be writing poetry & making a soundscape in collaboration with a choreographer I don't know yet. The other is Creative Capital, only a massive and very influential award of $50,000 for weird art. 

Retreat!

Today I did a one-day writing retreat, and in the spirit of my DIY artist retreat zine (ugh it pains me that there is LITERALLY NOTHING ON THE INTERNET I can link there), here's how it went: 

Choice vs. Parser games

As I've dug into this Twine experience I'm building (tentatively titled The Neighborhood, by the way), I've realized there's an entire world of people focused on interactive fiction (IF).  

Of course there is, in retrospect.  Every internet rabbit-hole is fully populated. 

I kept bumping into some jargon, and specifically discussions of parser vs. choice-based games.  Time to research!

Work in Progress Limits

Y'all, I can't help but use the tools of my software developer life to organize my writing life. It's weird but it works for me.  I'm sorry I don't just wander the forest with a pencil and a notebook like a proper poet.

At work I've been trying to improve our work processes so some agile scrumbans have been running around in my head.  It occurred to me that I could (and perhaps SHOULD) put a work-in-progress limit on my writing. 

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